Rape and Femicide Imagery in the Old Testament

Reconstruction of sacred regalia for priestess or queen, Mesopotamia | Ancient Sumer, Ur / Urim | Early Dynastic Period III, First Dynasty of Ur, circa 2600 BCE | gold, lapis lazuli, carnelian, shell | British Museum.

When Jehu arrived in Jezreel, Jezebel heard of it. So she applied the kohl to her eyes,
tattooed her face, hennaed her hands and feet, adorned her head, and prepared to
meet her death like a priestess and a queen. She looked down from her window, and
as Jehu, the assassin, whom the madman Elisha had named king of Israel, entered
through the gate, she asked, “Have you come in peace, O Zimri, O Usurper, murderer
of your master?” He looked up at the window as his soldiers flowed around him and poured through the gate ahead of him. “How can there be peace,” he replied, “as long as your
idolatry, and the witchcraft of your Mother, the Great Whore, abounds? Hear this,
doomed queen: “This is the word of the LORD, which He spoke through His servant Elijah the Tishbite: ‘On the plot of ground at Jezreel the dogs will devour the flesh of Jezebel. And Jezebel’s body will lie like dung in the field on the plot of ground at Jezreel, so that no one can say: This is Jezebel.’ It is Yahweh who is speaking.
[1]

Like the priestesses of Inanna, Ishtar, Astarte, Ashtoreth and other female deities reverenced in ancient Mesopotamia, the priestesses of Asherah, the Great Mother Goddess and Tree of Life of ancient Hebrews, wore beautiful regalia for ritual and ceremony, including ‘star-flower’ headdresses, heavy diadems, lunulas (crescent shaped neck pieces), and many rings, anklets, bangles, necklaces, bells, tinkling toe rings, nose rings and other sacred insignia. On holy feast days and festivals they, and the female Israelites generally, wore holy ornamentation to reverence life and fertility granted by the Tree of Life, the Great Mother Goddess, Asherah.

They also played musical instruments, danced, processed through the streets to the temples, and sang hymns to the Goddess and Her divine son (Tammuz or Damuzi), and sometimes even for her upstart consort, Bel, Bal, or the tribal storm and war god (god of the forge and weapons-making), Yahweh. This naturally brought many into their fold, who were not there already, as that was the basal indigenous religion. Isaiah, Ezekiel, Jeremiah, Nahum and others lavished descriptions of the punishments of cities who followed the Old Religion with rape imagery, as in Nahum 3:

1 Woe to the city of blood,

full of lies,

full of plunder,

never without victims!

2 The crack of whips,

the clatter of wheels,

galloping horses

and jolting chariots!

3 Charging cavalry,

flashing swords

and glittering spears!

Many casualties,

piles of dead,

bodies without number,

people stumbling over the corpses —

4 All because of the wanton lust of a prostitute,

alluring, the mistress of sorceries,

who enslaved nations by her prostitution

and peoples by her witchcraft.

5 “I am against you,” declares the Lord Almighty.

I will show the nations your nakedness

and the kingdoms your shame.

6 I will pelt you with filth,

I will treat you with contempt

and make you a spectacle.

7 All who see you will flee from you and say,

‘Nineveh is in ruins — who will mourn for her?’

Where can I find anyone to comfort you?”

Fertility rites were practiced in the fields and orchards, as well as at the hilltop lunar shrines or ‘groves’ (the ‘High Places’ that Old Testament patriarchs are continually going off on) at the full and new moons. Isaiah 47 threatens Babylon with rape imagery:

“Go down, sit in the dust,

Virgin Daughter Babylon;

sit on the ground without a throne,

queen city of the Babylonians.a

No more will you be called

tender or delicate.

2 Take millstones and grind flour;

take off your veil.

Lift up your skirts, bare your legs,

and wade through the streams.

3 Your nakedness will be exposed

and your shame uncovered.

I will take vengeance;

I will spare no one.”“I will lift your skirts over your face.

The cities of the Neghev (desert region southeast of Israel) venerated Ashera as the Divine Mother, and so get threatened with being stripped and raped by Jeremiah, with much the same imagery. The majority of the population of the City of Jerusalem, as a polity, worshipped the Goddess Mother, Asherah, in far greater numbers and for far more centuries than Bal, Yahweh (Jahovah) or any of the lesser male gods. The minority warrior priestly castes, ‘Priestly J School, or Priestly D School, the Levites, etc., were preaching to the tiny choir of their own numbers, their own patriarchs and elders.

Their hatred of the Goddess who they saw as competition for the upstart storm and war god, Yahweh, the guarantor of their constantly embattled rank and position, and the women, priestesses and queens who led Her worship, was rabid. The outright rape imagery of a woman being thrown down in the dust, her skirts being thrown up over her face, and her ‘shame’ being exhibited to the armies, who then ‘pour in,” invade and violate her, occurs over and over again, as here in Isaiah 47:

18 Say to the king and to the queen mother,

“Come down from your thrones,

for your glorious crowns

will fall from your heads.”

19 The cities in the Negev [2] will be shut up,

and there will be no one to open them.

All Judah will be carried into exile,

carried completely away.

20 Look up and see

those who are coming from the north.

Where is the flock that was entrusted to you,

the sheep of which you boasted?

21 What will you say when the Lord sets over you

those you cultivated as your special allies?

Will not pain grip you

like that of a woman in labor?

22 And if you ask yourself,

“Why has this happened to me?” —

it is because of your many sins

that your skirts have been torn off

and your body mistreated.

23 Can an Ethiopian change his skin

or a leopard its spots?

Neither can you do good

who are accustomed to doing evil.

24 “I will scatter you like chaff

driven by the desert wind.

25 This is your lot,

the portion I have decreed for you,”

declares the Lord,

“because you have forgotten me

and trusted in false gods.

26 I will pull up your skirts over your face

that your shame may be seen —

27 your adulteries and lustful neighings,

your shameless prostitution!

I have seen your detestable acts

on the hills and in the fields.

Woe to you, Jerusalem!

How long will you be unclean?”

Unceasingly, the women of the cities angered the prophets of the upstart god of the herds, Maker of Weapons and Lord of the Battlefield, the bellicose bringer of storms, Yahweh, by
remaining loyal to the peaceful, pleasure-loving traditions of their ancestral
Goddess, gracious Patroness and Creatrix and Her divine son, Tammuz, whereupon
the prophet of Yahweh had proclaimed:

I will put an end to all of Her rejoicing, Her exultation: Her feasts, Her New Moons,and Sabbaths and all Her solemn festivals. I will destroy all of Her appointed feasts. I will destroy Her vines and fig trees, which she thinks are the wages paid by Her lovers. I mean to make Her pay for all the days when she offered burnt offerings to the Ba’als and the Asherah, and lusted after her lovers, whose genitals were like those of donkeys and whose emission was like that of stallions, and decked herself with rings and necklaces to court Her lovers, forgetting me. It is Yahweh who is speaking. [3]

Reconstructed Sumerian headgear necklaces for queen or a priestess Puabi | Mesopotamia | Ancient Sumer, Ur / Urim | Early Dynastic Period III, First Dynasty of Ur, circa 2600 BCE | gold, lapis lazuli, carnelian, shell | British Museum | 3d model by Jose Antonio Peñas.

[1] Excerpt from Yvonne Owens, “I, Jezebel,” in Mother, the Verb, Swan Sister Treasure Book, Edited by Linda Rogers (Friesen Press, 2022): pp. 195-207, p. 194.

[2] The Negev is the eastern desert, where failure to gain entry to one of the gated cities, with access to food and water, could spell death for travellers or nomads and their herds

[3] The Holy Bible, Hosea 2:11-13

Published by Yvonne Owens, PhD

Yvonne Owens is a past Research Fellow at the University College of London, and Professor of Art History and Critical Studies at the Victoria College of Art, Victoria, BC. She was awarded a Marie Curie Ph.D. Fellowship in 2005 for her interdisciplinary dissertation on Renaissance portrayals of women in art and sixteenth-century Witch Hunt discourses. She holds an Honours B.A. with Distinctions in History of Art from the University of Victoria, British Columbia, an M.A. in Medieval Studies with Distinction from The Centre For Medieval Studies at the University of York, U.K., and an M.Phil. and Ph.D. in History of Art from University College of London. Her publications to date have mainly focused on representations of women and the gendering of evil "defect" in classical humanist discourses, cross-referencing these figures to historical art, natural philosophy, medicine, theology, science and literature. Her essay, “The Saturnine History of Jews and Witches,” appeared in Preternature (Vol. 3, No. 1) in 2014, her book chapter, "Pollution and Desire in Hans Baldung Grien: The Abject, Erotic Spell of the Witch and Dragon" appeared in Angeliki Pollali and Berthold Hub, Eds., Images of Sex and Desire in Renaissance Art and Modern Historiography, her essay "The Hags, Harridans, Viragos and Crones of Hans Baldung Grien" was published as part of the Hans Baldung Grien: New perspectives on his work, International Conference Proceedings (October 18-20, 2018), Staatliche Kunsthalle Karlsruhe in 2019, and her book, Abject Eroticism in Northern Renaissance Art: the Witches and Femme Fatales of Hans Baldung Grien, Bloomsbury London, in 2020. She also writes art and cultural criticism, exploring contemporary post-humanist discourses in art, literature and new media. She is Editor for an anthology of essays titled Trans-Disciplinary Migrations: Science, the Sacred, and the Arts, forthcoming from Cambridge Scholars Publishing.

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